License Period of time Price
Unlimited Performances (1 yr) Within 1 year $350.00 (USD)

Aeia Bridled, movement 3: The Schoolmarm

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Excerpt from the longer piece entitled Aeia Bridled. The Schoomarm represents extreme and abusive authority, in all its forms. Aeia Bridled had a horse-themed aesthetic, hence the blinders and bridle-suggesting headpiece. The piece is done in silence; the sound of the dancer's body slaps, stomps, voice, and breathing are in fact the "music." Ideally the sound would be miked. In this example, the sound was enhanced by reverb and simple effects added to the live sound - but effects are not essential for the functioning of the piece.

Difficulty level: 4 / 10

Videos are in English
Choreographer Dance style Duration
Rick Tjia 		CONTEMPORARY (non-ballet) 00:02:50
Cast size Mood Teaching language Gender
SOLO Serious English Female
Lighting information

Most of the lighting is open to interpretation, except it is a dark piece and therefore the stage should not be TOTALLY lit. Near the end there is a square of eight spots that the dancer skips through. At the end there is a special downstage right that she dances and ends the piece in.

Remarks or specificities

THIS CHOREOGRAPHY IS PRESENTLY SOLD WITHOUT A TUTORIAL VIDEO. PLEASE CONTACT ME FOR INFORMATION - CETTE PIÈCE EST ACUTELLEMENT VENDUE SANS LA VIDÉO TUTORIELLE. ME CONTACTER POUR DE PLUS AMPLES RENSEIGEMENTS.

Ideal costume

The headpiece is reminiscent of a horse's bridle and blinders. Tight stretchy sleeveless top that is close to skin color but not totally. Tartan skirt and combat-type boots.